The Mad Sculptor by Harold Schechter

The Mad Sculptor - Final Cover - Hi-Res

The mad Sculptor is an absolutely fascinating book by author Harold Schechter. Released last week, the book tells the story of a grisly triple murder at one of New York’s most prestigious addresses. I am absolutely mad (pardon the pun) for researching historic newspapers so this book had instant appeal to me. Here’s the dish on this book:

Beekman Place had a curious way of making it into the tabloids in the 1930s: “SKYSCRAPER SLAYER,” “BEAUTY SLAIN IN BATHTUB” read the headlines. On Easter Sunday in 1937, the discovery of a grisly triple homicide at Beekman Place would rock the neighborhood yet again—and enthrall the nation. The young man who committed the murders would come to be known in the annals of American crime as the Mad Sculptor.

Caught up in the Easter Sunday slayings was a bizarre and sensationalistic cast of characters, seemingly cooked up in a tabloid editor’s overheated imagination. The charismatic perpetrator, Roger Irwin, was a brilliant young sculptor who had studied with some of the masters of the era. But with his genius also came a deeply disturbed psyche; Irwin was obsessed with sexual self-mutilation and was frequently overcome by outbursts of violent rage.

Irwin’s primary victim, Veronica Gedeon, was a figure from the world of pulp fantasy—a stunning photographer’s model whose scandalous seminude pinups would titillate the public for weeks after her death. Irwin’s defense attorney, Samuel Leibowitz, was a courtroom celebrity with an unmatched record of acquittals and clients ranging from Al Capone to the Scottsboro Boys. And Dr. Fredric Wertham, psychiatrist and forensic scientist, befriended Irwin years before the murders and had predicted them in a public lecture months before the crime.

Based on extensive research and archival records, The Mad Sculptor recounts the chilling story of the Easter Sunday murders—a case that sparked a nationwide manhunt and endures as one of the most engrossing American crime dramas of the twentieth century.

I asked Harold Schechter a question about how things have changed with the media since the 1930s:

QUESTION: Describe how you view the evolution of media and journalism since the time of the Beekman Place murders.

ANSWER: One word: technology. In the 1930s, the public was forced to gratify its prurient interest with daily newspapers. Now we have 24/7 cable TV coverage and the Internet.

 NOTE: if your are lucky enough to be in NYC, Harold will be appearing at The Mysterious Bookshop on February 27.

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